Bastille Day Online Celebration!

At Online Event via Zoom

This year we are celebrating Bastille Day twice: once online and once in person. Can’t make up your mind? Attend both!

Join us for a celebratory, educational online event. We will start with speeches in French from Arnaud Mentré, Consul Général de France à Boston, and Barbara Bouquegneau, Executive Director of the French Library.

We will then have the pleasure of listening to Sarah Lund on the following topic: Liberty, Equality, Sorority? A Woman Printmaker in the French Revolution. Sarah Lund is a graduate intern at the Harvard Art Museums and Ph.D. candidate in the Department of History of Art and Architecture, Harvard University. A short Q&A in English will follow this presentation.

We will continue the event with a game in French: the goal will be to guess if the questions we will ask you are related to Bastille Day, the American Independence Day, or both of them. Last but not least, we will close the evening listening to the sublime reinterpretation of La Marseillaise by the talented duo formed by FCC team member, Fabrizio Mazzetta and his partner, Masako Jasmine Yotsugi.

Want to dress up and decorate your place to celebrate this very particular day? You are more than welcome!

Online Event in French and English

General Ticket

FREE

About Sarah Lund

Sarah Lund is a Ph.D Candidate in the Department of History of Art & Architecture at Harvard University and a 2021-2022 Frederick Sheldon Traveling Fellow. Her dissertation in progress is titled “The Matrix of Citizenship: Female Printmakers in Revolutionary France." In illuminating the work of these little-known female artists, her project argues not only for their participation in the politics of the revolution and its image-making but also seeks to resituate artistic practice as both a mode of political speech and of citizenship, especially as these artist were denied official political participation due to their gender. Print especially may have been a particularly apt medium to represent the turmoil of the French Revolution and for women artists to mobilize in negotiating female citizenship. This project attends to the gendered concepts, both practical and theoretical, of printmaking and its materials to argue how female printmakers found within their media modes of envisioning, asserting, and redefining their gendered, artistic, professional, social, and political identities.

Sarah earned her B.A. in Art History and Government from Dartmouth College in 2016 and holds her MA from Harvard. From 2016-2018, she was the Technical Art Historian and Research Coordinator for the new Scientific Research Department of Sotheby’s New York, where she assisted with the technical, art historical, and provenance research of works coming to sale from all specialist departments. Sarah's research has been supported by the Weatherhead Center for International Affairs, the Harvard Graduate Society and Smith Foundation, and her curatorial experience includes work at the Getty Research Institute, the Hood Museum of Art, and the Harvard Art Museums.

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